Dvořák's oratorio Svatá Ludmila, for orchestra, choir and soloists
Bechyně, Czech Republic, Thursday 28 July - Sunday 7 August 2022
Places available for:
- singers in all vocal groups, in particular tenors
- a clarinet
- a violin
- a viola
Last minute reduction possible. Call +31 619 224 758 for information
For 31 years, the historic monastery of Bechyně has been the venue for an annual summer school devoted to Czech and Central European music. This course has two aspects: chamber music or chamber choir, and a joint program for soloists, chorus and orchestra, focusing this year on Dvořák's oratorio Svatá Ludmila (Saint Ludmila).
Chamber music & chamber choir
Coaching in full swing
The mornings are devoted to small ensembles. Every participant will be assigned to two different ensembles, alternating per day. At least half of the time the ensembles receive intensive coaching by the tutors. The ensembles will have an opportunity to present themselves in an internal concert.
Rob Klotz: If I have to have an addiction, going to La Pellegrina my drug of choice
Instrumentalists take part in chamber music in all possible combinations of string and winds, with or without piano. Very advanced singers may also participate in this. All formations from quartet upward are possible, with perhaps a few incidental trios. Ensembles will be formed well in advance, so you can prepare your parts thoroughly at home. There is also the unique possibility to form larger and more complex combinations, also with winds, that are not easy to organize 'at home'. Think of Schubert's Octet, the Spohr Nonet and the Allegro for four string quartets by the Dutch romantic composer Van Bree.
Tewe Verhage: A Pellegrina summer school is a perfect active vacation with much to be experienced
Every morning the choir singers will rehearse in the chamber choir, working on music by Mendelssohn (for example Siehe, der Hüter Israels from the Oratorio Elias) and by Mitchell Sandler himself, to name a few works. Some singers can form combinations with instruments. For instance, a soprano could do Schubert's Hirt auf dem Felsen or Spohr's Lieder for voice, clarinet and piano. A baritone could work on Barber's Dover Beach with a string quartet. A few more suggestions: Pergolesi's Stabat Mater with strings, Mozart and Haydn Lieder for several voices and piano, Telemann's Harmonischer Gottesdienst, Schubert's Hochzeitsbraten or other Schubert works for several voices and piano, etc., etc.
The course is open to individual participants as well as existing ensembles.
There will be time for occasional combinations and musical get-togethers. A special evening will be the Mozart Concerto Event, where pianists and other instrumentalists are invited to prepare a movement from a concerto by Mozart or a contemporary and the other instrumentalists are asked to accompany, sight-reading the orchestral parts.
Henriëtte Hamer: "La Pellegrina invites you to do things you did not suspect that you could or maybe even dared"
The program for soloists, choir and orchestra: Dvořák's oratorio Svatá Ludmila
This year Dvořák's oratorio Svatá Ludmila will sound in the final concert of the course, conducted by Dirkjan Horringa. Svatá Ludmila is a challenge for both the choir and the orchestra. Read more about the work and the historical context here. The oratorio will be performed in the Horse Riding School (jízdárna) at Bechyně castle.
Anke Wolffes: "The rehearsals were very pleasant. Dirkjan manages every year to be ambitious and motivating, yet relaxed in his way of working with us"
The course is open to 32 experienced chamber choir singers (SATB). The choir has a big and challenging part in Dvořák's Svatá Ludmila. In addition, the choristers form a chamber choir every morning and work on music by Mendelssohn, Dvořák, Mozart and their Czech contemporaries. Mitchell Sandler will lead this choir in his inimitable way, combining helpful vocal instructions and excellent piano accompaniment with clear direction. Czech professional tenors and basses will join the choir if it is necessary for the balance between the different voice groups.
Marrie Kardol "Pellegrina has become one of my best and healthiest addictions!"
A singer being coached
Let’s say you are a singing student, current or recent, or a talented amateur at an equivalent level. You are comfortable singing as a soloist. You have the ability to study and learn the solo part of a chamber music composition. In that case it might be possible that you sing solo as part of one of the small chamber music ensembles in the morning sessions.
We would like to hear you. This will give us an idea of how to place you within the course – to know which part might be appropriate for you in the chamber music. Please make a recording of your singing and send it to La Pellegrina as CD, MP3 or YouTube clip.
Yolande Krooshof: "I have persuaded three people to join the course, eerie, but they all have enjoyed it!"
The course in intended for experienced chamber music players, willing to prepare their parts at home. Pianists are able to play solo parts. The number of participants in this course is determined by the orchestral works: there is room for double woodwinds, four horns, two trumpets, timpani and strings 8-8-6-6-3 or a few more. In the chamber music part there is room for four pianists, who play in the chamber music ensembles, accompany singers in their arias and might even play timpani and other percussion in the orchestra or sing in the choir. For the other instruments in the orchestra, such as harp, trombones and tuba, we hire Czech professionals.
Wilma Luining: What could be better than total surrender to making music together in the unsurpassed Bechyně, Czechia!
On Saturday, 11 June, a preliminary rehearsal day will be held in Utrecht, led by Mitchell Sandler and Dirkjan Horringa. More information on the venue and times will follow. Its aim is to get to know the other participants, and to have a first go at the choral and orchestral programme, so you can then prepare your part more efficiently at home. Besides that, it is inspiring to meet your 'chamber music colleagues' and to discuss the work you are going to play or sing. Of course this rehearsal is not mandatory for participants from outside the Netherlands. Still, quite often a few participants not living in the Netherlands turn up, combining it with a weekend sightseeing or visiting friends.
Marieke van Dantzig: "forging a beautiful whole out of a weird combination of people, styles and musical skills in a short time: that is the magic of inspirator Dirkjan"
- Thursday 28 July: arrival in Bechyně, course opening with dinner at 18:00 h, first rehearsal for soloists, choir and orchestra in the evening
- Friday evening 29 July: tutors' chamber music concert
- Tuesday 2 August: 'free day'
- Wednesday evening 3 August Mozart Concerto Event: participants play solo in movements from Mozart concertos, a vue accompanied by the orchestra
- Friday afternoon and evening 5 August: participants' chamber music concerts
- Saturday afternoon 6 August at 16:30: performance of Svatá Ludmila at Bechyně Castle
- Sunday morning 7 August: departure after breakfast
Orchestra sightreads accompaniment | Content soloist
François Lanave: "I was the only French-speaking person at breakfast among musicians speaking a strange language with raspy 'g' sounds. But they immediately turned nicely into English, so that we could communicate"
Interval in the monastery courtyard
- 8:00 breakfast
- 9:30-12:30 Instrumentalists and singers rehearse chamber music in small ensembles and chamber choir
- 13:00 lunch
- 14:00 the instrumentalists work first in sectional rehearsals, later in the course as well as entire orchestra; the choir works with Mitchell on Svatá Ludmila. Later on there will be tutti rehearsals of choir and orchestra at Bechyně castle until 16:00
- 17:00 drinks & dinner
- Evening off, plenty of time for playing more chamber music, and don’t forget that Czechia is famous for its beer...
Cora van Lierop: "When I arrive in Bechyně and I meet the teachers and the participants again, it feels like coming home"
Read more about Bechyně, the place where the course will be held:
Casper van Dongen: "La Pellegrina has been my annual 'therapy' for almost 20 years now... Where do you make music with such variety and where do you drink your beer in such a beautiful setting?"
Joy after the chamber music concert
The tutors of this course are passionate specialists in their musical fields: Martina Bernášková, Petr Bernášek, Vavel Hořější, Dirkjan Horringa, Libor Nováček, Mitchell Sandler, Rudolf Sternadel and Jitka Vlašánková.
A delicious meal at Penzion Elektra
In order to register, please fill out this form and pay a deposit of EUR 250 (which of course will be refunded in case you cannot be placed).